Microcosm of consumer waste creation - overflowing plastic

So much packaging, so much plastic - both are unsustainable

In Beth Gardiner's carefully researched book, Plastic, Inc., the relationship of fossil fuel companies and plastic production is described in detail. Oil and gas from fossil layers are the basis for plastics in myriad forms and performance characteristics, much of which has unknown effects on the human environment and our bodies - let alone effects on the many other life forms we share planet Earth with. All of the plastics, though, break down into microplastics and then into nano-plastics so small that we breath them, we drink them, we eat them, and we accumulate them. As the Green Economy grows and fossil-fueled consumerism shrinks, the oil and gas pumpers see expanded plastic use as a new outlet for their destructive extraction. If people use less oil and natural gas, then they can buy more plastic things and throw more of it away to make room for still more.

Places with small land mass do not have the luxury of piling and burying medical, construction, manufacturing and consumer waste like the volume now flowing in USA. Incinerating the increasing volumes of packaging, delivery containers, takeout containers, and breakable (cheap, disposable) plastic products also has consequences unfavorable for the environment and what lives in it, including us. Various forms of plastic require additive chemicals which are released into the air and water, therefore into the food and drink we consume: whether burned or buried or littered, the plastic and its baked in chemicals break down and roam freely. Rich or poor, all must breath, eat, and drink. Pricey or not, the digestive tract gives the same result. The only answer is to produce less of the single-use (throw-away) plastics: Reduce and Reuse, as the Green Movement declares for all materials, not just plastics.

This photo on Sunday morning, when the city main library is closed during summer hours, is a good illustration of the nature of the plastic problem: too much (quantity) and too dangerous (quality) for waterways and places clogged by litter escaping the landfill pipeline from bin to burial. The sticker price makes plastic seem so cheap as to be negligible. But that is only the market cost for 1000 plastic bags or 100 plastic toys or 10 synthetic tires. The total cost for extracting, transporting, refining, and then producing plastics from the original oil or natural gas is much greater than the day's stock market price per barrel of oil or cubic meter of gas. There is the inherited legacy cost of aging infrastructure, capping old wells, tracing the gas leaks of the greenhouse gases from old or abandoned wells. and clean up or remediation that is passed onto other countries storing our plastic trash. And future generations dealing with our consumerism is an even bigger cost that is not factored into today's sticker price. There is damage from well-field roads and spills. There is the cost of micro-plastics filling the air, land, and sea - including plants and animals everywhere. Worst of all, there is documented damage from untested chemical releases in the microplastic breakdown to act as endocrine disruptors, affecting the hormones responsible for reproductive success of animals, including DNA of humans. Ready or not, unwanted or not, plastic convenience may literally be the death of human reproduction and the species. The Neanderthals had a good run of nearly 350,000 years that we have evidence for. But anatomically modern humans have been going for less than that.

Use Less Stuff as the author, Robert Lilienfeld, wrote in a book by the same name in 1998. Or take the slogan of the War-on-Drugs, "Just Say No" to throw-away plates and cups and knives, bags and extra wrapping.

Visual anthropology above and beyond pretty pictures

 

screenshot with strong compositions, but little social context (labels added here)- source: flickr Explore on 3 April 2026

Pretty pictures is a phrase not intended to be dismissive, since there truly is pleasure and value in the process of composing them and for people to view them, too. But for the purpose of this essay, the visual engagement alone - whether stimulating aesthetic wonder or triggering memories or stirring imaginations, or illustrating a story - is less valuable to social science and functioning as a vehicle that opens up larger frames to understand a subject. In other words, not all pictures are created equal when it comes to portraying cultural features and social processes all around us. While the same lens may well be able to record all the images in the above screenshot, in fact they come from different photographers and the experiences they incorporate into the press of the shutter release button.

Probably the labeling to categorize what is prominent about the images, above, is not comprehensive, since other photographs may stand out for differing emotional responses they activate: a decisive moment documented, an historical happening or something rarely witnessed (news value), or matters not of public interest but yet holding great meaning for just one or a small group who sees it, for example. And with enough imagination and powers of rationalizing, each of the four screenshot images might just as well lend themselves for a writing prompt to illustrate sociological or anthropological observations, too. But at first glance it is the quality of the light (top left) that is most salient; it is the delicate texture and color masses (bottom left) that catch the eye; and it is the powerful geometry of the staircase spiral (top right) that fills the viewers' minds. Only a few people might name the specific mushroom (botanist), describe the water droplet's surface tension (physicist), or appreciate the making and calculations for the staircase (architect, engineer, installer, sales representative). By contrast, the coal mine picture is framed and lighted like a lovingly composed portrait with a lot of art and craft. But also it functions well as a writing prompt for the subject of fossil fuel extraction, the labor relations of capitalist (or state-run) owner versus worker, or the lived experience and arc of a life story for generations of miners. Form and content, form and function serve each other in this photo: the excellent capture conveys the subject in a pleasing and engaging way. The important subject adds weight and momentousness to the photograph.

Expanding on the social science meaning in the colliery picture, it is true that it could just be a lucky snapshot of a passing tourist or a memento recorded by former worker, neighbor, or owner. But more likely, it seems to be a carefully framed and exposed photo by a keen amateur or else a professional picture-taker. And while the same image could appear in a wide range of uses, from advertising to editorial to textbook to scrapbook to souvenir postcard, anything from universal or symbolic statement to personal travelogue, when it comes to the visual medium for anthropological thinking, this one stands out from the others in this screenshot. It conveys something of note for understanding human livelihoods and their relationship to the natural environment in general as well as meanings specific to this location and this moment in history, too. 

The photo of the coal mine property has social science worth not just due to the central subject filling the frame, but also due to the artful way in which it is portrayed. In other words, a clumsy visual record would be encountered with indifference or even rejection by hungry eyes of people that jump from one picture to another without pause. But a well photographed portrayal invites viewers to linger and explore the details at length, possibly noticing something they had not understood or known before, possibly reflecting on larger matters or subjects that are connected to this central idea. By being both a beautiful picture (in the abstract, general, aesthetic sense) and by recording something of the subject and its context, the result is a description of a subject that still may rely on words, but which speaks for itself, as well.

In summary, it seems obvious that "not all photos are created equal." But looking more closely at the many kinds of things that attract the eye of photographers - social scientist or not, certain compositions speak of anthropological or sociological matters better than others; not only do technical expertise and artful framing and timing figure into the viewing/thinking experience but also the intentionality and perceptiveness of the (social science predisposed) photographer will affect the final image that people of the time (and future viewers, too) see. By way of concluding statement, it is safe to say that a table full of photos may have a subset of visual interest or remarkable beauty. And another subset will comprise subjects and portrayals of social insights. Where these two subsets intersect there will be a couple of photos that both express something about the society and life experience of people in their context and which also attract the viewer's attention for their visual delight.

Many meanings of the USA national flag - veteran's funeral preparations

 

Detail from funeral home visitation before tomorrow's ceremonies.

Nearly all military veterans from the World War II era are gone now in 2026, and many from the Korean War have died, too. Even those serving in armed conflicts in the decades to follow in many cases have died. Not all of them opt for the guaranteed death benefit of steel casket, honor guard with USA flag. But many do wish to acknowledge their time serving the USA, as in this example from middle Michigan for a 93-year-old man who had served in uniform, beloved in his community as well as among friends and family.

Symbols like the USA flag (Old Glory, Stars and Stripes, Stars and Bars) can convey several layers of meaning at the same time. This flag is multivalent as national and international identifier for sports, for diplomacy and military, for law enforcement, for official ceremonies and occasions and holidays. It can have more personal connections and meanings at the regional or state-by-state level, and also for people, places, and things seen in cities and villages, as well as the household or company level. In popular culture, too, famous artists and ordinary people can easily fly a flag (or in protest invert the flag) or modify in new colors to suit less patriotic purposes; even in the service of commercial sales.

overview of the open casket viewing (detail magnified, above)

Without talking to the stream of friends coming to greet the bereaved family members it is hard to know which of the many layers of meanings of the flag on the coffin are uppermost in their minds. Is it window dressing of an official nature with nationwide currency and value? Or is it part of the man's self-image and the way that others viewed him in life, too? Certainly during the time in uniform it fully occupied his waking hours and shaped his personal habits, standards, and expectations as a young man and for a few years after being honorably discharged, too, no doubt. But from his early 20s (completion of military service) to his early 90s there were many other concerns and guiding principles. So, on balance, the couple of years during the Korean War only took up a small part of a very long and full life. And yet, in all those years he demonstrated his commitment to order and ethical behavior, public service and duty, loyalty and justice equal for the great and the small. So, in that abstract sense of goodness and mercy, his own life and the positive facets of USA nationwide ideals were coherent and maybe sometimes overlapped his own ideals, too. In that case, the national flag is less about politics and history and more about his personal standards and values.

In any case, speculating about the mix of personal and the many other layers of meaning will be difficult to untangle or document without in-depth and wide-ranging observations and conversations with those who knew him best. But for the purposes of this article, it is enough to acknowledge the many meanings - even contradictory ones - that a symbol like the American flag can stand for, gliding easily from one meaning to another; or expressing all the meanings simultaneously.

After the funeral ceremony is completed and the group of mourners reassemble at the graveside to bury the flag-draped casket, then an honor guard of veterans (occasionally there are ones in uniform who are currently in service, too) will carefully fold the flag to present to a representative for the bereaved family as a memento of the occasion.

Trends in phishing and spam email slop

During late December 2025 and the opening days of January 2026 it seems like 1/3 or more of the dubious, probably illegal (fraudulent, con-artist, phishing) unwanted SPAM messages pretend or presumptively declare a payment declines; or sometimes, a payment has been made to your account; more rarely, claim your reward or gift.

This email inbox screenshot from January 8, 2026 is an example of a spate of similar pitches intended to alarm or provoke an automatic (defensive motion) reaction. Ideally, the person looking through mostly authentic inbox messages will stumble onto one of these - sort of like a buried landmine that explodes when activated - and anxiously search for a "contact us" or "help" button. Once they have demonstrated a living person is attached to the email account and can be lured into revealing name, address, and bank account, then the theft of identity and assets is practically complete.

Thanks to malevolent and perverted use of Artificial Intelligence to craft "truthy" websites, text messages, robocalls, and email messages, the difference between actual senders and bogus ones is sometimes hard to distinguish. It goes without saying that a generation ago - long before the current crop of A.I. and slop that it discharges in volume and in diverse versions - such things were beyond even science fiction. Merely to describe how the psychological games and triggers are engineered would exceed most people's imaginations around 1999. In 2026, though, expectations for decency, honesty, accountability, and outrages of excess and of neglect have shifted. Many people under the age of 60 have very low expectations. Their 'normal' includes abuse, fraud, and corruption at small and at large scale, perhaps in line with the daily lowering of the bar set by POTUS, #TrumpConvictedFelon. Where all these declines in social infrastructure, hollowing out of social capital (trustworthiness), and impoverished cultural capital, and agitation of emotional reserves will lead is an open question. But it does not leave a lot of room for common decency, common sense, common good, or hope.