05 April 2026

Visual anthropology above and beyond pretty pictures

 

top left close-up of bright mushroom in dark background, bottom left close-up droplet on lilypad, top right spiraling metal stairs, bottom right colliery buildings in black and white
screenshot with strong compositions, but little social context (labels added here)- source: flickr Explore on 3 April 2026



Pretty pictures is a phrase not intended to be dismissive, since there truly is pleasure and value in the process of composing them and for people to view them, too. But for the purpose of this essay, the visual engagement alone - whether stimulating aesthetic wonder or triggering memories or stirring imaginations, or illustrating a story - is less valuable to social science and functioning as a vehicle that opens up larger frames to understand a subject. In other words, not all pictures are created equal when it comes to portraying cultural features and social processes all around us. While the same lens may well be able to record all the images in the above screenshot, in fact they come from different photographers and the experiences they incorporate into the press of the shutter release button.

Probably the labeling to categorize what is prominent about the images, above, is not comprehensive, since other photographs may stand out for differing emotional responses they activate: a decisive moment documented, an historical happening or something rarely witnessed (news value), or matters not of public interest but yet holding great meaning for just one or a small group who sees it, for example. And with enough imagination and powers of rationalizing, each of the four screenshot images might just as well lend themselves for a writing prompt to illustrate sociological or anthropological observations, too. But at first glance it is the quality of the light (top left) that is most salient; it is the delicate texture and color masses (bottom left) that catch the eye; and it is the powerful geometry of the staircase spiral (top right) that fills the viewers' minds. Only a few people might name the specific mushroom (botanist), describe the water droplet's surface tension (physicist), or appreciate the making and calculations for the staircase (architect, engineer, installer, sales representative). By contrast, the coal mine picture is framed and lighted like a lovingly composed portrait with a lot of art and craft. But also it functions well as a writing prompt for the subject of fossil fuel extraction, the labor relations of capitalist (or state-run) owner versus worker, or the lived experience and arc of a life story for generations of miners. Form and content, form and function serve each other in this photo: the excellent capture conveys the subject in a pleasing and engaging way. The important subject adds weight and momentousness to the photograph.

Expanding on the social science meaning in the colliery picture, it is true that it could just be a lucky snapshot of a passing tourist or a memento recorded by former worker, neighbor, or owner. But more likely, it seems to be a carefully framed and exposed photo by a keen amateur or else a professional picture-taker. And while the same image could appear in a wide range of uses, from advertising to editorial to textbook to scrapbook to souvenir postcard, anything from universal or symbolic statement to personal travelogue, when it comes to the visual medium for anthropological thinking, this one stands out from the others in this screenshot. It conveys something of note for understanding human livelihoods and their relationship to the natural environment in general as well as meanings specific to this location and this moment in history, too. 

The photo of the coal mine property has social science worth not just due to the central subject filling the frame, but also due to the artful way in which it is portrayed. In other words, a clumsy visual record would be encountered with indifference or even rejection by hungry eyes of people that jump from one picture to another without pause. But a well photographed portrayal invites viewers to linger and explore the details at length, possibly noticing something they had not understood or known before, possibly reflecting on larger matters or subjects that are connected to this central idea. By being both a beautiful picture (in the abstract, general, aesthetic sense) and by recording something of the subject and its context, the result is a description of a subject that still may rely on words, but which speaks for itself, as well.

In summary, it seems obvious that "not all photos are created equal." But looking more closely at the many kinds of things that attract the eye of photographers - social scientist or not, certain compositions speak of anthropological or sociological matters better than others; not only do technical expertise and artful framing and timing figure into the viewing/thinking experience but also the intentionality and perceptiveness of the (social science predisposed) photographer will affect the final image that people of the time (and future viewers, too) see. By way of concluding statement, it is safe to say that a table full of photos may have a subset of visual interest or remarkable beauty. And another subset will comprise subjects and portrayals of social insights. Where these two subsets intersect there will be a couple of photos that both express something about the society and life experience of people in their context and which also attract the viewer's attention for their visual delight.

05 February 2026

Many meanings of the USA national flag - veteran's funeral preparations

 

open casket draped in USA flag to be unfolded after the lid is closed
Detail from funeral home visitation before tomorrow's ceremonies.
Nearly all military veterans from the World War II era are gone now in 2026, and many from the Korean War have died, too. Even those serving in armed conflicts in the decades to follow in many cases have died. Not all of them opt for the guaranteed death benefit of steel casket, honor guard with USA flag. But many do wish to acknowledge their time serving the USA, as in this example from middle Michigan for a 93-year-old man who had served in uniform, beloved in his community as well as among friends and family.

Symbols like the USA flag (Old Glory, Stars and Stripes, Stars and Bars) can convey several layers of meaning at the same time. This flag is multivalent as national and international identifier for sports, for diplomacy and military, for law enforcement, for official ceremonies and occasions and holidays. It can have more personal connections and meanings at the regional or state-by-state level, and also for people, places, and things seen in cities and villages, as well as the household or company level. In popular culture, too, famous artists and ordinary people can easily fly a flag (or in protest invert the flag) or modify in new colors to suit less patriotic purposes; even in the service of commercial sales.

overview of the open casket viewing (detail magnified, above)
Without talking to the stream of friends coming to greet the bereaved family members it is hard to know which of the many layers of meanings of the flag on the coffin are uppermost in their minds. Is it window dressing of an official nature with nationwide currency and value? Or is it part of the man's self-image and the way that others viewed him in life, too? Certainly during the time in uniform it fully occupied his waking hours and shaped his personal habits, standards, and expectations as a young man and for a few years after being honorably discharged, too, no doubt. But from his early 20s (completion of military service) to his early 90s there were many other concerns and guiding principles. So, on balance, the couple of years during the Korean War only took up a small part of a very long and full life. And yet, in all those years he demonstrated his commitment to order and ethical behavior, public service and duty, loyalty and justice equal for the great and the small. So, in that abstract sense of goodness and mercy, his own life and the positive facets of USA nationwide ideals were coherent and maybe sometimes overlapped his own ideals, too. In that case, the national flag is less about politics and history and more about his personal standards and values.

In any case, speculating about the mix of personal and the many other layers of meaning will be difficult to untangle or document without in-depth and wide-ranging observations and conversations with those who knew him best. But for the purposes of this article, it is enough to acknowledge the many meanings - even contradictory ones - that a symbol like the American flag can stand for, gliding easily from one meaning to another; or expressing all the meanings simultaneously.

After the funeral ceremony is completed and the group of mourners reassemble at the graveside to bury the flag-draped casket, then an honor guard of veterans (occasionally there are ones in uniform who are currently in service, too) will carefully fold the flag to present to a representative for the bereaved family as a memento of the occasion.


09 January 2026

Trends in phishing and spam email slop

screenshot of email inbox touting "payment declined"
During late December 2025 and the opening days of January 2026 it seems like 1/3 or more of the dubious, probably illegal (fraudulent, con-artist, phishing) unwanted SPAM messages pretend or presumptively declare a payment declines; or sometimes, a payment has been made to your account; more rarely, claim your reward or gift.

This email inbox screenshot from January 8, 2026 is an example of a spate of similar pitches intended to alarm or provoke an automatic (defensive motion) reaction. Ideally, the person looking through mostly authentic inbox messages will stumble onto one of these - sort of like a buried landmine that explodes when activated - and anxiously search for a "contact us" or "help" button. Once they have demonstrated a living person is attached to the email account and can be lured into revealing name, address, and bank account, then the theft of identity and assets is practically complete.

Thanks to malevolent and perverted use of Artificial Intelligence to craft "truthy" websites, text messages, robocalls, and email messages, the difference between actual senders and bogus ones is sometimes hard to distinguish. It goes without saying that a generation ago - long before the current crop of A.I. and slop that it discharges in volume and in diverse versions - such things were beyond even science fiction. Merely to describe how the psychological games and triggers are engineered would exceed most people's imaginations around 1999. In 2026, though, expectations for decency, honesty, accountability, and outrages of excess and of neglect have shifted. Many people under the age of 60 have very low expectations. Their 'normal' includes abuse, fraud, and corruption at small and at large scale, perhaps in line with the daily lowering of the bar set by POTUS, #TrumpConvictedFelon. Where all these declines in social infrastructure, hollowing out of social capital (trustworthiness), and impoverished cultural capital, and agitation of emotional reserves will lead is an open question. But it does not leave a lot of room for common decency, common sense, common good, or hope.