walking to some Kyoto temples - the hilly Kiyomizu-dera vicinity

This video shows one segment of the steady stream of afternoon visitors to some of the Buddhist temples along the west-facing slope of Higashi-yama, not far from Kyoto's main rail station.

On the horizon is Kodai-ji, with Kiyomizu-dera to the right of the frame and some distance behind the camcorder. At the very end of the clip someone dressed in kimono comes into view. With the fine fall weather every now and then somebody in the colorful traditional clothing could be seen on this day. A shop along a busy road was renting the kimono, perhaps mainly for the foreign visitors to pose for pictures and to have a short experience of walking this way.

Chanting a sutra at the head temple of Pure Land Buddhism of Japan in Kyoto

The strong voice of the priest carries into the air from inside this prayer hall up on the hillside where the temple complex has been for hundreds of years. He punctuates the rhythmic text with a floor bell at first. Then later he uses the hard, clear sound of sticks to accelerate the beat of the text.

This Saturday afternoon in early November is the national holiday called Bunka-no-Hi (Culture Day). In addition to followers of the Pure Land Buddhism from other temples around Japan, there are visitors from other branches of Buddhism in Japan or from overseas, as well as people with no direct connection to Buddhism who wish to walk the grounds and see some of the notable parts of the place.

live theater long ago and today - Kyoto's Kabuki-za

For the past 100 years when artificial dyes and synthetic fabrics, neon, and plastics have made daily life filled with color, and with semi-conductors making battery powered sources of light and color ever more visually stimulating, people's awareness and arousal by color has been dulled. So the fantastical costumes, make-up, and effects of the pre-electronic and pre-plastic period of kabuki theater seems to make less of an impression on the audiences of now.

kabukiza in Kyoto

This clip from the national Culture Day holiday in Kyoto shows the front of the theater with its flashes of the metallic petals flickering in an eye-catching display not normally seen on a building facade; goodness knows what happens during the typhoon season!

With the relentless pace of innovations in consumer electronics, personal transportation, and software apps for mobile phones, it is nice to see that performance art forms like kabuki continue to attract audiences - whether it is first-timers and foreigners, or it is life-long fans who follow the stage careers of their favorite actors. Perhaps there is some element of nostalgia for pre-electronic, pre-telecommunication times. And maybe, too, there is another element of wanting to financially supporting older art forms for its own sake, whether one is deeply involved or is a more distant supporter. Whatever the mix of motivations in the audience, or even within one person, the productions continue to be made and tickets continue to sell.